the opening passage of rhythm a ning features quizlet

In the beginning, the two horns play the same rhythm harmonized. Below is a list of literary devices with detailed definition and examples. The melodies are catchy enough to whistle in the proverbial bathtub, but when you dig in intellectually, they reveal endless weirdness. The first theme is in E minor. jazz quiz 10. Instead, he trips and stumbles and staggers through the meter, yet somehow he always lands precisely where he intends to. The effect is like stepping out a window, but then drifting gently down to a safe landing on the sidewalk. Its not as difficult to play as it sounds. The bass switches from an ostinato to a walking bass. -Swing, 32 bar popular song (AABA). artistic director of Jazz at Lincoln Center- he conducted dozens of jazz repertory concerts, interpreting composers from Ellington, Armstrong, Mingus, Gil Evans; recorded fanciful interpretations of Morton and Monk third stream quartet: vibes, piano, bass, drums; very professional, hard bop drummer and bandleader known for his unique drumming style of dotted eighth and sixteenth note pattern that guided solos; also extended drumming techniques- high hat stand, used elbows, hard bop pianist who composed memorable, singable melodies and brief catchy phrases over long bebop lines with a proactive comping style that guided musicians through solos, hard bop trumpeter who played with the Max Roach Quartet; conveyed a relaxed feel even on the most intricate and energetic melodic figures; played long fluid lines moving gracefully through chord progressions, along with Kenny Clarke, was an innovator of bebop drumming- coordinated independence; also part of hard bop and avant garde ("Spirit Possession"), influential pianist, composer and bandleader with a uniquely understated, intellectual style As a bandleader, brought about the birth of the Swing Era with radio show. - composition through motivic development, prolific bassist and composer who played with prominent swing and bop musicians Wrote many popular tunes that became standards of the jazz repertoire: "It Don't Mean a Thing" (1932). Blues stanzas and an abrupt ending. What song form does this composition follow? Gerry Mulligan played the _______ saxophone. Features Django Reinhardt on guitar. What was Dizzy Gillespie's attitude toward musicians who were trying learn to play bebop? Davis's sparing, poignant solos contrasted with Coltrane's virtuosity. literature. What does the term M-Base stand for, and what does it mean? Across. The duality of the yin and yang scales makes them especially useful for playing the rhythm changes bridge: two bars each of D7, G7, C7, and F7. She absorbed the influences around her, including Earl Hines, Jelly Roll Morton, and James P. Johnson. Not everyone can deliberately mismatch chords and scales and have it sound good, though. Which of the following is true of John Coltrane's album Giant Steps? - his piano trio was a new approach- independence between instruments Exists by accident. Which composer does this describe: worked almost exclusively with blues and popular song forms, and rarely composed themes longer than thirty-two bars? In jazz, you mostly use the whole tone scale on dominant seventh chords. Jimmy Rushing on vocals. through what he said was a profound religious experience. Stride piano. To make it sound bigger, Williams had one of the trumpeters play with the saxophone section, using a mute to help blend. ellieea01. -Kansas city swing. Monk uses a lot of circle of fifths progressions, and often alternates the yin and yang scales over them, but he never plays predictable patterns. At first, they had intonation problems and a restricted repertory of head arrangements. "My Favorite Things" In the opening of this excerpt, the horns play an intricate melody over two choruses. _____, a flamboyant bebop saxophonist from Los Angeles, was inspired by Lester Young. The quintessential bebop piano texture developed by Bud Powell featured: chords in the left hand, and blindingly fast and intricate improvisations in the right hand. Eddie Durham helped them write out head arrangements and edit submitted arrangements to fit their uncluttered, clean style. When I listen to Monk play a more European-sounding progression like rhythm changes, I hear him infusing it with the spirit of the blues. ", Modern jazz became popular on Central Avenue, the African American neighborhood in. - heavily influenced by Ellington, Tatum and Parker and blues and gospel It is based in part on Jerome Kern's "All the Things You Are", Dizzy Gillespie played in the big band led by _____, composing the tune "Pickin' the Cabbage" for the group, ______ is given credit for the new drumming technique known as "dropping bombs.". Which of the following describes the interplay between Miles Davis and John Coltrane in Davis's first great quintet? Click the card to flip . fretless bass, proponent of traditional/historicist jazz all of the above are correct. Thelonious Monk made prominent use of _____ in his playing and composing. A little logic shows that the yin and yang scales are the only two possible whole tone scales. "You've Got to Be Modernistic" (1930), known for hot style, helped define big band music in Swing era; staff arranger for Benny Goodman 32-bar AA'BA', big band. EX: album Free Jazz; "Lonely Woman" (1959), - avant-garde; piano with percussive style Which of the following is true of George Russell's theory of modalism? Etymologies are easy to find because they appear within brackets ([ ]) or double brackets ([[]]) within a dictionary entry. The title "Rhythm-a-Ning" refers to its formation based of chord changes of George and Ira Gershwin's "I Got Rhythm". Most of the following items contain one or two errors in capitalization. Quartet with Chet Baker, singer- "My Funny Valentine" with Gerry Mulligan, "creating academic elgitimacy" Why did John Coltrane refer to the addition of bassist Jimmy Harrison to the group as "a turning point" for the quintet? The last chorus contains a riff that Thelonious Monk later used for his composition "Rhythm-a-ning." Features stride piano with call with dissonance and response by band. On G7: Play the yang scale for an implied G9(b5 #5) sound. TL. Singular: There is\underline{\text{is}}is a pleasure\underline{\text{pleasure}}pleasure in the pathless woods, - 1980s and 90s cont push limits- incorp hip hop and rap elements, cool jazz, arranger; considered one of the top jazz arrangers, most notably for work with Miles Davis, baritone sax; did majority of the writing of "Birth of the Cool," leading figure in West Coast jazz. Wrote some riffs to maintain order. Al Haig used the riff for Opus Caprice., And Sonny Stitt used it for Symphony Hall Swing.. Which of the following is true of Lennie Tristano? Davis was constantly developing new styles and then moving on. After doing Straight, No Chaser, Im now diving into another one of Monks greatest hits, Rhythm-a-Ning, at the request of Christian Gentry. head arrangements a. the practice of taking liberties with the melodies and accompaniments of tunes as they were being performed. Has ambiguous beginning, then Johnny Hodges takes the melody through a number of keys (with variable intonation) before reaching a crescendo in the second bridge. - very slow harmonic rhythm based on modes What was the Harlem Renaissance, and what role did jazz play in it? His band was the epitome of KC style: riff-based head arrangements, driving yet relaxed sense of swing, retained emphasis on improv, dramatic dynamic contrast without losing drive, musical energy that builds to a climatic shout chorus ("One O'Clock Jump" (1937)). In the late 1940s and the early 1950s, Miles Davis struggles with drug addiction, made successful appearances in Europe, and recorded the tracks that resulted in the album. In order to continue read the entire music sheet of Rhythm A Ning you need to signup, download music sheet notes in pdf format also available for offline reading. Crooning style. Do not be misled when words intervene between the subject and the verb or when the subject comes after the verb. Rhythm changes are a common 32-bar chord progression in jazz, originating as the chord progression for George Gershwin's "I Got Rhythm".The progression is in AABA form, with each A section based on repetitions of the ubiquitous I-vi-ii-V sequence (or variants such as iii-vi-ii-V), and the B section using a circle of fifths sequence based on III 7 -VI 7 -II 7 -V 7, a . E 3. A and c only All of the following general parameters of avant-garde jazz are correctly described EXCEPT: instrumentation: limited to rhythm section plus horns Later in his career, Gil Evans embraced jazz-rock fusion and recorded orchestral The public's tastes were formed by swing, which functioned as dance music and entertainment, and it viewed bebop as a fad. 3/29/22, 2:35 PM MUS 12 - Exam 3 Flashcards | Quizlet 1/19 Upgrade MUS 12 - Exam 3 138 studiers in the last day Terms in this set (165) Bebop derived its name from an abrupt, two-note ending to a melodic line Bebop differed from swing in that it was performed by small combos rather than big orchestras Compared to swing, bebop was a self-conscious art music To weed out inexperienced improvisers . -Gil Evans radically transformed the work of other composers. - style: bebop. Underline the correct form of the pronoun or pronouns in parentheses in each sentence. The first theme 2. The Poet. ii) The band was smaller than most in 1936. Monks comping behind Charlie Rouse is even crazier. Orchestra is known to be a large instrumental ensemble usually made of classical music which I believe the best description of the performing ensemble in Dance of the Youths and Maidens from Part I of Stravinsky's The Rite of Spring.Considered Stravinsky's most sensational achievement, The Rite of Spring is a masterpiece that is clearly planned and perfectly controlled, yet leaps past . Which Swing Era bassist does this describe: used substitute chords, solos are freely melodic rather than walking, played with speed and flexibility, attractive timbre, and spent most of his brief career (1939-1941) with the Ellington band? Uses the New Orleans front line of trumpet, trombone, and clarinet sound differently, with muted brass and low-register clarinet. The composition is on the form of a fugue. Ch 6 jazz. Thelonious Monk quartet, 1957/1962 Students also viewed. Could go as long as a half an hour. He used his skill at piano, drums, and theory to teach other musicians the new music. - features: Spalding's expressive composition; her unusual use of the voice as a melody instrument; the piano trio ensemble (piano, bass, drums), which steadily builds the music to a climax, a form of contemporary music created by DJs in the 1990s, relying heavily on samples taken from jazz recordings from the 1950s and 1960s and combining them with rap and hip hop, method of improvisation found in New Orleans jazz in which several instruments in the front line improvise simultaneously in a dense, polyphonic texture, a new piece with the same chord progression as a preexisting tune; a common jam session language of bebop. John Lewis. - EX: "Cantaloupe Island", - founded by members of Miles Davis's 2nd Great Quartet Ensemble: Typically toured constantly, didn't record, and were under constant financial pressure. What bebop standard does the pianist reference with the three-note motive heard toward the end of this excerpt? - created a cosmology steeped in black nationalism and Egyptian history and the planet Saturn; elaborate costumes/stage shows/choreography Wenatchee the Hatchet points out that Blues Clues also quotes this riff: Heres a chart that draws heavily on the one in the superb Thelonious Monk Fake Book. How did Duke Ellington change the sound of jazz in the big band era? kristin cavallari pasta; music youtube google; big thicket national preserve deaths; Hello world! Analyzing the musical structure of "Sledgehammer" by Peter Gabriel. Music was a huge part of the cultural elevation as jazz was elevated from an entertainment to an art. - Nina Simone: "mississippi goddam". - called music "cosmic jazz"/ "intergalactic music" In his second quintet in the 1960s, Miles Davis relied on the composing talents of this tenor saxophonist: The theme of John Coltrane's A Love Supreme was. George Russell wrote "Concerto for Billy the Kid" to highlight the following soloist: Thelonious Monk's compositions usually featured which of the following form(s)? Measures 17 and 18 are a fragment of the yin scale over D7. At the Newport Jazz Festival, Ellington went on late and played "Diminuendo and Crescendo in Blue." POST BOP You must, instead, intensify it. Who is the piano soloist heard in this excerpt? - features: theme phrase, from James P. Johnson's A strain (see Chapter 5), recurring throughout; descending chromatic chords in B strain, from Johnson; harmonic cycles within the "C" and "D" strains; disappearing and then returning triple meter in "D" strain, - style: contemporary Give an example of third-stream music and describe how it merges aspects of classical music and jazz. b. the evolution of the saxophone as an important band instrument. Verified answer. D. at first they look like birds perching in the trees. Gained exotic feeling from Cotton Club. _____ Houses were built on raised platforms of varying height so that social distinctions could be observed. Underline three times ()(\equiv)() each letter that should be capitalized. - great exploration and experimentation of simple ideas. playing like every extremity of the body is each doing its own thing but worked together (drummer Max Roach), a genre of jazz that aims for mainstream popularity and commercial success, Afro-Cuban jazz- an example of fusion with elements of Cuban music and American big band; founded on clave rhythms; expanded rhythm section (timbales, congas, bongos, maracas, claves, guiros), a technique devised in bebop in which the bass drum plays strong accents, phrases that avoid strong downbeats and stretch the meter (Bill Evans Trio), the joining of two types of music, especially the mixing of jazz and rock in the 1970s, carry on the traditional Big Bands of Count Basie, Duke Ellington, Woody Herman, etc, Stacking chords- crams in more chords (notes) at a really fast speed (John Coltrane), a composed section of music that frames a small-combo performance, appearing at the beginning and again at the end, a style of jazz devised in the 1950s that relied heavily on modal improvisation, an evolutionary viewpoint in jazz that says art is continually evolving from simplicity to complexity, two bar rhythmic phrase- repeated, driving rhythmic force in Latin jazz, modal jazz - Short melodic ideas subject to variation and development, pushed boundaries of hard bop and modal jazz, without venturing avant-garde: new harmonic frameworks/forms, greater freedom in rhythm section; Miles Davis Second Great Quintet- "ESP", omit the first note of chord (or just not have it at bottom)-- changes the sound of the chord and gives in tenison, associated with bebop; improvising by running eighth note lines, often with doubletime passages, a rapid-fire attack in an attempt to play every note in every chord (harmonic superimposition- John Coltrane-- "Giant Steps"), percussive style of playing electric bass that provided new possibilities as a solo voice, improvised vocal melody- like melodic paraphrase, influential as both an instrumentalist and singer, almost singlehandedly changed the sound of jazz. This piano solo features which of the following? 32-bar AABA. Jon Hendricks later added lyrics and used "Listen to Monk" as the title. - intellectual style based on thick texture of contrapuntal inner voices Example 1. cannot cant\underline{\color{#c34632}{cant}}cant, he would ___________________________________________, Behind the repeating melody of the two horns, the guitar and piano improvise, Despite its unusual qualities, this composition is based on, George and Ira Gershwin's "I Got Rhythm.". June 9, 2022 . Identify and explain: Sherman Antitrust Act, Knights of Labor, Terence V. Powderly, Mary Harris Jones, Great Upheaval, Haymarket Riot, American Federation of Labor, Eugene V. Debs. HARD BOP Ellington rewrote long versions of old pieces and wrote film music. - 12 bar blues and rondo form, Hard bop uses standard forms, with greater variety; fewer contrafacts; darker/rougher tone colors; hard-driving groove with a strong backbeat; complex and blue-oriented improv. For twenty years cowboys they were paid $90 or less for the two- or three-month journey drove cattle north on the Chisholm Trail. Heres another alternative version with Gerry Mulligan that I dont especially like. Listen to his comping behind Charlie Rouse's tenor sax solo; no one . Had aristocratic sophistication in public persona. What did Wes Montgomery's technique differ from that of artists? How many musicians are featured in Miles Davis's "Birth of the Cool" band? Jazz Chapter 13. words. incorporated approaches from classical and popular music, Mechanical royalties from sales of a record are divided among all of the following, except, the instrumentalist or vocalist improvising on the recording. 25 terms. FUSION - features: updating of the piano trio for the 21st century; complex structures, inspired by Indian classical music; intense rhythmic interaction between the three instruments, - style: fusion almost entirely improv and more. The first two-thirds of Sonny Rollins's recording of "Autumn Nocturns" consist of a. You can improvise over any string of dominant chords going around the circle of fifths by just alternating the yin and yang scales. BEBOP "Take 5" by the David Brubeck Quartet (found on Spotify or Youtube) features what instrument playing the melody? Among the pioneers of bebop was this jazz pianist, who applied the virtuosic style of Charlie Parker and Dizzy Gillespie to the piano: Who of the following was not part of the bebop generation? Invented melodies that floated over the chords. - Kind of Blue (1959) set the standard for modal jazz Captured the first steps in what proved to be the transformation of swing to bebop. - features: jazz improvisation over a rhythm-and-blues groove; harmonic progression, loosely based on the blues, that incorporates modern jazz harmonies; Hubbard (cornet) and Hancock's (piano) bluesy improvisation, - style: historicist

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